On Minding and Being Minded: Experiencing Bion and Beckett

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There are currently no reviews Be the first to review. On Minding and Being Minded explores links between depictions of lived experience written by Samuel Beckett and the experience of psychoanalytic psychotherapy pioneered in the writings of W. These robust literary and clinical intersections are made explicit within the demanding culture of twenty-first century psychotherapy as patient demand for time-limited, result-driven therapeutic outcomes conflicts sharply with the contours of intensive, long-term psychotherapy.

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On Minding and Being Minded: Experiencing Bion and Beckett [Ian Miller] on drascalltraptempcats.tk *FREE* shipping on qualifying offers. On Minding and Being Minded. On Minding and Being Minded explores links between depictions of lived experience written by Samuel Beckett and the experience of psychoanalytic.

Bion and Beckett present elements of familiarity to the practicing psychoanalyst which emerge tantalizingly, out of explicit reach, yet become knowable through interpersonal engagement. These stutterings and intimations are thick with meaning, suggestively presented in passing. They hint at how it is for the patient, provoking excitations of thinking; and, like the mental constructions of us all, their articulation conceals deep artistry.

On Minding and Being Minded provides a therapeutic link bridging the single session with multiple session psychotherapy focused upon the dynamic engagement of patient and therapist.

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Not only does the analyst supply the requirements for its construction in provision of space, time, and boundary, but also bears in mind the psychoanalytic object itself, its feel, tang, and experiential shape, initially unknowable to the patient. Response to the present becomes all the more important in a world that seems to spin faster and faster, without time for slow and long reflection. Far from leaving psychoanalysis behind, staying with the present enriches therapy embryos with often unexpected, emergent possibilities.

By doing this, he not only introduced history, geography, and the present crisis of psychoanalysis into the way in which we conceptualise what we do with our patients, but he was also able to think it anew in terms of the mind minding and being minded by another. Psychic growth takes place only in the context of an interpersonal relationship, as H. Sullivan had anticipated in the s.

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Reconstructing how such an intuition was practised and realised by Bion and Beckett, during and after their work together, allows the author to build important new bridges both between psychoanalysis and literature, and between North-American and European psychoanalysis. Our customers have not yet reviewed this title. Be the first add your own review for this title. Sign in to My Account. They hint at how it is for the patient, provoking excitations of thinking; and, like the mental constructions of us all, their articulation conceals deep artistry. On Minding and Being Minded provides a therapeutic link bridging the single session with multiple session psychotherapy focused upon the dynamic engagement of patient and therapist.

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Robert D. Chris Mawson. Would you like us to take another look at this review? In April I organized a second trip to Italy for him - with papers in Rome, Milan and Bologna - and I remember him bringing me a copy of the first issue of Dialogues ; in April we were together back in Florence, where he presented the paper on the therapeutic action of psychoanalysis which became one of the central chapters of Autonomy and influence in psychoanalysis International Forum of Psychoanalysis 26 2 , , Symptoms: 1 Motor: Zwangshandlungen avoiding cracks in pavement, etc.

On Minding and Being Minded. Always talking about mammals, in this menagerie. Frankly, between ourselves, what the hell could it matter to pupil Mahood, that man was this rather than that? Presumably nothing has been lost in any case, since here it all comes slobbering out again. B: Hold on till I find the verb and to hell with all this drivel in the middle. The most ubiquitous feature of aphasia with which these examples seem to resonate is anomia : the failure to access a lexical item, but most commonly nouns or verbs see Laine and Martin As Hughlings Jackson has shown, however, not all language is affected equally.

Of course, within non-pathological speech modal verb constructions commonly mark out the territory of subjective possibility: I must, I shall, I will, I should, I would, I can, I could, I may, I might. And in a general sense the Trilogy finds itself definitively within the terrain of such modal verbs: probability, ability, obligation and advice, permission, habits. Propositional, referential, language seems on its way to disappearance, to be replaced with a rhythmic flow of modalizing:. Here, though, as in the aphasic speech automatism, the modal verb appears in a form that precisely suggests incapacity and uncontrolled, compulsive necessity, rather than possibility.

For modalizing language constellates precisely around subjective attitude and social demands, and although aphasic speech automatisms may be more automatic than not, they are always formed in dialogue with capacities and articulations of consciousness that are retained. Consequently, not only are emotional functions preserved, they can also appear to be heightened with the loss of inhibition. Aphasia seems, in fact, to be a disorder that often leaves the capacity of the self to feel and gauge its losses within consciousness agonisingly untouched, with speech automatisms seeming to appear with greatest potency precisely when aphasic people are asked to deploy their impaired executive functions in speaking Code et al.

The incapacity, inability and frustration produced by a sense of demand — a demand for answers or for referential and propositional speech that Beckett also persistently dramatizes — indeed seems to release this automatic, modalizing language. When left hemisphere damage removes any possibility of propositionizing, modalizing language, which appears to be produced by both right and left hemispheres, begins to utter in anxious compensation. Not only is this the only language to which most people with aphasic speech automatisms have access, it is the language that begs to be expressed as a reaction to the failure to access propositional speech Nespoulous et al.

The words that insist in this borderland instead refract what remains of the speaking self through both the idea and the sense of a subjectivity it can no longer inhabit, and an unfettered unconsciousness it knows it cannot attain. So in his search for words that could be held in this territory Beckett turns, albeit in an untheorised fashion, to a modalizing language imaged as a body language of slobber, pus, shit, tears and vomit.

As he came towards the end of his life, Beckett struck up a friendship with a writer called Lawrence Shainberg who was exploring neurological dysfunction in his work. As Shainberg recounts, Beckett affirmed that.

Shainberg recounts:. Strong word, I know, but so it was. I simply understood that there was no sense adding to the store of information, gathering knowledge. The whole attempt at knowledge, it seemed to me, had come to nothing. It was all haywire. All I am is feeling.

The Samuel Beckett who returned obsessively to the glitches and discontinuities in and of translation, to the impossibility of smooth conversions between media, the Beckett who compulsively refused the naive relations between languages, genres and, perhaps most fundamentally, between mind and body — breaking up and breaking down the imagined simplicity of the continuum between them — seems indeed to offer us the beginnings of a new mode of reading and experiencing. He offers us the opportunity both to comprehend and to feel how language drives the torsions and vicissitudes of our psychosomatic lives.

The phrase is idiomatic, in a rather archaic and figurative way. See Beausang, Salisbury, Hubard, Laranjinha. National Center for Biotechnology Information , U. The Journal of Medical Humanities. J Med Humanit. Published online Feb Laura Salisbury and Chris Code. Author information Copyright and License information Disclaimer.

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Corresponding author. Abstract This article explores the relationship between automatic and involuntary language in the work of Samuel Beckett and late nineteenth-century neurological conceptions of language that emerged from aphasiology.

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Keywords: Samuel Beckett, aphasia, John Hughlings Jackson, speech automatisms, language, neuroscience. As Descartes puts it: …we can see that magpies and parrots can utter words as we do, and yet they cannot speak as we do: that is, they cannot show that they are thinking what they are saying.

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The Unnamable is force-fed and vomits forth words of others that will never be fully at one with its intentional capacities, stating: It is they who dictate this torrent of balls, they who stuffed me full of these groans that choke me. Nordau , 15 For Nordau, then, these artists, their work and their audiences are contaminated by expressions of mind that are degenerate because defective in cognition and conation — they are compulsive, willless. I have never thought for myself. Harmon , But the nuances of this position come more clearly into focus if one realises that, consciously or not, Beckett is parroting material here that he read nearly forty years earlier.

Jones describes, and Beckett transcribes, such obsessional, compulsive symptoms in these terms: Obsessional neurosis Zwangsneurose : feeling of mustness. Old style In terms of the scientific understanding of language, marks a moment when the concept of language that subtended Cartesian dualist accounts of the relationship between mind and body underwent an authentic paradigm shift.

He describes the nonpropositional qualities of oaths in these terms: Although oaths differ from mere alterations of tone, in that they consist of articulate words , they are generally used in talking, not to express ideas, but to make up by vigour in delivery what is wanting in precision of expression. A: What verb? B: The main!

A: I give up. References Alajouanine T. Aphasia and Artistic Realization. Beckett and Aesthetics. Cambridge: Cambridge University Press; Edited by Jonathan Barnes. Princeton: Princeton University Press.

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Barry E. Basingstoke: Palgrave; Beckett avant Beckett: essays sur le jeune Beckett, — Mercier and Camier. London: Calder and Boyars. The Complete Dramatic Works. London: Faber.